About Us


Company
​
ka·nei·see | collective is a San Francisco Bay Area contemporary dance company directed by Tanya Chianese. Named after the phonetic combination of “can I see?” and Tanya’s Italian last name, the company creates vitalizing and accessible contemporary dance that promotes finding humor, appreciation, compassion, awareness, and most importantly perspective in our modern existence.
​
Since its inception in 2014, ka·nei·see | collective has received two audience choice awards (ODC/Dance, Luna Dance Institute), five tours (Seattle, WA [x2]; Aspen, CO; Los Angeles, CA; Denver, CO), five residencies (including ODC/Dance's Sandbox Series and Shawl-Anderson Dance Center), twelve festival invitations (including local SF International Arts Fest, RAWdance's Concept Series and West Wave Dance Festival), ten critic's choice/picks (Dance Magazine, Dance Teacher, SF/Arts, SF Chronicle), and five commissions (including San Francisco State University and JUNTOS collective). ka·nei·see | collective has been featured and reviewed in over 31 media outlets (please see PRESS credits), and has received funding over the years from the Phyllis C. Wattis Foundation, CA$H Grant, Zellerbach Family Foundation, Lighting Artists in Dance (a program of Dancers' Group), FACT/SF Co-Production Grant, and generous individual donors.

"Accessible and provocative, as well as unafraid to meld innovation with time-honored dance conventions,"
San Francisco Chronicle
"...busting into the Bay Area dance scene, garnering immediate critical acclaim, and selling out every seat…"
East Bay Express
“Tanya Chianese and ka·nei·see | collective are important players in the emerging contemporary dance scene.”
Critical Dance
Artistic Directer / Choreographer
Tanya Chianese
One of Dance Magazine’s 2019 “25 to Watch,” Artistic Director Tanya Chianese was also named by San Francisco Magazine as "100 Artists Putting the East Bay on the Map" alongside such individuals as Daveed Diggs from Broadway's Hamilton and Ryan Coogler, the director of Black Panther. For extensive choreographic credits as the Founder and Artistic Director of ka·nei·see | collective please see above, including endorsements by Senators Dianne Feinstein and Elizabeth Warren surrounding her dance and social justice work. She was the 2017 guest choreographer at San Francisco State University, and honored to be the Guest Speaker at their School of Theatre & Dance's 2017 Graduation Ceremony. Tanya is the Summer Dance Lab Manager at Shawl-Anderson Dance Center, and in the Bay Area she teaches dance at primarily Shawl-Anderson Dance Center, ODC Dance, LINES Ballet, Roco Dance, Berkeley Ballet Theater, and Ace Dance Academy, Dance Mission Theater, City College of San Francisco, and San Francisco State University. An advocator for dance outreach, Tanya traveled to Guatemala as guest choreographer with JUNTOS Collective in 2018 to perform and teach daily workshops across the country; she taught ballet to visually impaired adults and children in Oklahoma City, OK through a grant funded by Devon Energy in 2010; she directed the Kids on Track outreach program of the San Francisco Trolley Dances in 2012; and she co-taught free dance classes in at-risk, low-income after school programs in Los Angeles, CA in 2006. Most recently Tanya has performed with Rogelio Lopez & Dancers, Garrett + Moulton Productions, Paufve | Dance, and Kristin Damrow & Company. She has worked as an administrator for Oklahoma City Ballet, Epiphany Productions and dance anywhere®. Originally from Los Angeles, CA, she holds a B.F.A. in Modern Dance and B.A. in Art History from the University of Oklahoma. She is presently coming out of a five year semi-hiatus where she focused on birthing and raising her two wonderful children. Most recently Tanya completed a commissioned residency with the Community College of Baltimore County’s accredited dance program.


“Whether her topic is hard-hitting or abstract, Chianese...draws you along a story arc with a sense of theatrical composition that's rare among choreographers more than twice her age.”
Dance Magazine
“When she debuted with 2015’s Cookie Cutter, Chianese, the...director of Oakland’s ka·nei·see | collective, already possessed complex abstraction, refreshing humor, and insightful theatricality. Who else could use toilet-paper rolls as props, as in 2016’s Readymade, then about-face to this April’s Nevertheless, a scathing referendum on sexual harassment? Many try, but few succeed like Chianese.”
San Francisco Magazine
Chianese’s formidable choreography, innovative yet technically grounded at the same time...it is impossible not to mention the company’s noteworthy and impressive spatial awareness.
Critical Dance
Chianese is a structural and spatial wizard.
UC Berkeley's Dance Studies


